Name: JANAINA FALCÃO DE OLIVEIRA
Publication date: 28/02/2023
Advisor:
Name |
Role |
|---|---|
| MICHELE FREIRE SCHIFFLER | Advisor * |
Examining board:
| Name |
Role |
|---|---|
| ANDRESSA ZOI NATHANAILIDIS | Internal Examiner * |
| ARLENE BATISTA DA SILVA | Internal Alternate * |
| JACQUELINE LARANJA LEAL MARCELINO | External Examiner * |
| MICHELE FREIRE SCHIFFLER | Advisor * |
Summary: This research proposes to listen to the ancestry that had its voice hidden by the illusion of oblivion, to feel the body made invisible and to value subordinated knowledge, recognizing the power of the black woman, the basis of this entire society that still today keeps the colonial farce alive and closes the eyes to the exploration of its existence. The first chapter aims to investigate performance theory through Diana Taylor`s perspective, the areas of resistance and transformation, and considerations about Performance and cultural memory in the Americas, and the relationship between archive and repertoire and how coloniality is delineated in this process. . The second makes a brief analysis of 06 (six) poems by Conceição Evaristo, from the book Poemas da Recordação e outros Movimentos, aiming to delve into the repertoire of writing through poetry. For the third chapter to experience the interlocutions between poetry and the practice of performance art, WHERE the body and the repertoire enter the research in search of possibilities and contact with the writing repertoire of poetry by Conceição Evaristo, seeking other ways / traces and possibilities of representation .
