Name: LORENA SANTOS DE ARAUJO

Publication date: 05/06/2018
Advisor:

Name	Role
VIVIANA MÓNICA VERMES	Advisor *

Examining board:

Name	Role
ANDRESSA ZOI NATHANAILIDIS	External Alternate *
FABÍOLA SIMÃO PADILHA TREFZGER	Internal Alternate *
VIVIANA MÓNICA VERMES	Advisor *
WILBERTH CLAYTHON FERREIRA SALGUEIRO	Internal Examiner *

Summary: This dissertation proposes an analysis of the poem Marcha (“March”), based on considerations about musicality in the poetry of Cecília Meireles (1901-1964),with the association between two systems of signification: poetry and music. In this sense, the analysis of the Marcha selected from the literary work Viagem (1939, “Journey”) contributes to evidence this link. It is also intended to investigate the structures that
compose poetry, finding in them other meanings for poems, in addition to the traditional criticism proposes: we distance ourselves here from an ethereal vision, mystical and unrelated to reality. Elements such as melody, rhythm, anaphora, assonance and alliteration, among other poetic components that bring musicality to the poem, are in direct relation with the militant character of her work.
Keywords: Cecília Meireles. Music and Literature. Poem Marcha. Musicality.

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